He has pushed the limits of fine art and good taste with sculptures that comprise dead animals submerged in formaldehyde; innumerable spot paintings that appear mass-produced and can sell for millions of dollars; and the exuberantly tacky For the Love of God (2007), a human skull studded with 8,601 diamonds. Through his installations, sculptures, drawings, and paintings, Hirst explores themes including religion, mortality, and desire. Since 1988, when the artist developed and curated “Freeze,” a groundbreaking exhibition of his work and that of his Goldsmiths College peers, he has been the subject of major shows at Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam. In 2008, Hirst controversially staged “Beautiful Inside my Head Forever,” an auction in which he sold his work directly to the public and raked in around $200 million for himself. His individual works have sold for more than $10 million at auction.

Damien Hirst

Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation.

Clockwise: Justice, Courage, Mercy, Politeness, Honesty, Honour, Loyalty, Control

We are delighted to be offering the iconic Virtues prints by the British artist Damien Hirst, in the most exclusive way, as a portfolio (set of 8) in matching edition number.

These eight limited editions are each titled after one of The Eight Virtues of Bushidō according to Nitobe Inazō -Justice, Courage, Mercy, Politeness, Honesty, Honour, Loyalty, and Control. A continuation of Hirst's "Cherry Blossom" works, which will be exhibited for the first time at the Fondation Cartier in Paris, in July 2021.

The Virtues (set of 8)

ARTXX

Laminated Giclée print on aluminium composite panel

His photographs, sculptures, films, performances, and installations earned him ire from the Chinese government, which imprisoned him for 81 days in 2011 and razed his studio in 2018. Ai left the country in 2015. His most lauded works include Sunflower Seeds (2010)—for which the artist scattered 100 million porcelain “seeds” (hand-painted by Chinese artisans) across the floor of Tate Modern’s Turbine Hall—and Dropping a Han Dynasty Urn (1995), in which he destroyed the eponymous cultural artifact. Urns are frequent motifs throughout Ai’s practice, which often comments on mass consumption, individuality, censorship, and interconnections among contemporary cultures. Ai studied at the Beijing Film Academy before attending Parsons School of Design, and he has exhibited in New York, Los Angeles, Paris, Copenhagen, Beijing, London, and other cities. His work belongs in the collections of multiple institutions, including Centre Pompidou, the Los Angeles County Museum of Art, the Guggenheim Museum, the Museum of Modern Art, and the Tate, among others. Ai served as an artistic consultant for the design of the Bird’s Nest stadium for the 2008 Beijing Olympics. His work has sold for millions of dollars at auction, yet given the diversity of his practice, many of his pieces sell for four or five figures on the secondary market.

Ai Weiwei

Dissident artist Ai Weiwei is famous for conceptual artworks that challenge authority and explore the links between the contemporary world and traditional Chinese culture.

Ai Weiwei’s middle finger has been a recurrent theme in the artist production. His photographic series, Study of Perspective (from 1995 onwards), encourages questioning towards governments, institutions and establishments. Ai’s middle finger in flipping of the bird gesture in front of symbols of power across the globe, from the Tiananmen Square to the White House, makes explicit the artist’s rejection of any form of oppression against human freedom. With a raise of his middle finger, Weiwei champions the social responsibility and the importance of standing for our own values and not those created by others.

This precious edition of 100 Study of Perspective in Glass (2019) in six different colours nods to the series Study of Perspective, pointing out to the artist’s deepest beliefs regarding freedom of speech and democratic values. The translation in Murano glass of the iconic Ai Weiwei’s middle finger in six different colours, is powerful and yet elegant. The sculptures, made out from the artist´s own hand cast, embody the deep and engaged message of Study of Perspective series in an edition of precious material and superlative craftsmanship: the innate light and airy qualities of the glass melt with the sturdiness of the design producing a rare effect of beauty and mystic power.

Study of Perspective in Glass (Opaline White)

Murano Glass Casting

The artist is best known for his site-specific public interventions, which usually feature large-scale, black-and-white photographs overlaid on building façades, stadium seats, and a variety of other architectural and landscape features. His practice often comments on such issues as incarceration, immigrant rights, and poverty—yet JR infuses his work with joy and hope for change. He has exhibited in cities including New York, London, Paris, Tokyo, Berlin, and Seoul. JR’s work belongs in the collections of the Musée de l’Elysée, the San Francisco Museum of Modern Art, the Brooklyn Museum, the Museum of Modern Art, and the Museum Frieder Burda. In addition to his public interventions, JR has produced a number of films, including a collaboration with the famed French director Agnès Varda.

JR’s practice lies at the intersection of photography, street art, film, and social practice.

The street artist and photographer JR started out his artist practice in the streets of Paris. Using the pseudonym JR, the artist is keeping his identity hidden from the public.

As part of the "Jusqu'ici tout va bien", an exhibition by students from the Kourtrajmé school that JR is in charge of the art section of the school, JR created a pasting on the facade of the Palais de Tokyo, in Paris, through an anamorphic image.

The collage was visible from August until September 2020, between the buildings of Clichy-Montfermeil and the Eiffel Tower, whose shadow is outlined on the visual in anamorphosis.

What is very characteristic of JR’s art is the impermanence nature of the project, which the only way that the installation is captured, is through the creation of this lithograph - commemorating its presence, as the sun dries the glue, and the wind and rain tears the fragile paper with every moment.

JR Au Palais De Tokyo, 28 Aout 2020, 16h12, Paris, France

17 colors lithograph on white paper BFK Rives - 300 grams

The artist delights in satirizing everyday human interactions, filtering the mundane through a sense of childlike wonder and an unguarded sense of humor. Shrigley attended the Glasgow School of Art and has exhibited in New York, London, Paris, Los Angeles, and Copenhagen. His works belong in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Tate, the Thyssen-Bornemisza Art Contemporary Foundation, and the Arts Council Collection. Shrigley has also worked in sculpture, photography, and printmaking, and has produced music as well.

David Shrigley

David Shrigley’s drawings, paintings, animations, and neon texts embrace cartoon aesthetics and an absurd, deadpan sensibility.

David Shrigley’s drawings, paintings, animations, and neon texts embrace cartoon aesthetics and an absurd, deadpan sensibility. The artist delights in satirizing everyday human interactions, filtering the mundane through a sense of childlike wonder and an unguarded sense of humor.

I'm Sorry For Being Awful

12 colour screenprint on Somerset Tub Sized 410gsm paper

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons has made monumental balloon dogs, a series about his lusty relationship with Italian porn star Cicciolina, cast-aluminum pool toys, a gold-painted porcelain sculpture of Michael Jackson, and a giant sculpture that resembles both Play-Doh and a heap of dung. Though the artist resists complex interpretations of his work, Koons’s innovative fabrication processes have elevated him far above the designation of simple provocateur. Koons received his BFA from the Maryland Institute College of Art in Baltimore and has exhibited extensively in New York, London, Chicago, Basel, Seoul, and elsewhere. His work belongs in the collections of The Broad, the Hirshhorn Museum and Sculpture Garden, the Los Angeles County Museum of Art, the Museum of Modern Art, the Tate, and the Whitney Museum of American Art. His work has sold for nearly $100 million on the secondary market.

Jeff Koons

One of the most famous artists working today, Jeff Koons makes gleeful, tongue-in-cheek sculptures, paintings, and installations that border—and often cross—the edge of good taste.

Jeff Koons playfully tests the boundaries of commerce, celebrity, banality and pleasure. In his hands even the most familiar, everyday items transcend commonality to become true icons that manifest the essence of American popular culture.

Balloon Dog (Magenta) is the latest edition to a series of limited edition artworks by Jeff Koons, referencing his iconic, monumental sculpture of the same name from his highly acclaimed Celebration Series (1994) of five coloured sculptures in red, magenta, blue, orange and yellow. The series evolved from his desire to recreate the ecstatic experiences of a child's enjoyment of the world through universal signifiers representing birthday parties and festive events.

Balloon Dog (Magenta)

French Limoges porcelain with chromatic coating

JR’s practice lies at the intersection of photography, street art, film, and social practice. The artist is best known for his site-specific public interventions, which usually feature large-scale, black-and-white photographs overlaid on building façades, stadium seats, and a variety of other architectural and landscape features. His practice often comments on such issues as incarceration, immigrant rights, and poverty—yet JR infuses his work with joy and hope for change. He has exhibited in cities including New York, London, Paris, Tokyo, Berlin, and Seoul.

Inside Out, Haiti

20 colors lithograph on white paper BFK Rives - 300 grams

A member of the infamous generational cohort known as the Young British Artists (YBAs), Emin has developed a unique conceptual mode of artmaking that embraces both tenderness and audacity. In era-defining works such as My Bed (1999) and Everyone I Have Ever Slept With 1963–1995 (1995), Emin mined her most intimate experiences for artistic inspiration. She received her MA from the Royal College of Art in 1989 and has exhibited at galleries and institutions around the world, including the Mori Art Museum, the Whitney Museum of American Art, and the Stedelijk Museum. Her work belongs in the collections of the Tate and the Museum of Modern Art, and she has represented the United Kingdom at the Venice Biennale. Emin’s work has sold for millions on the secondary market, though typical auction results range from four to six figures.

Tracey Emin

Tracey Emin’s poetic, confessional practice spans film, painting, neon, embroidery, drawing, installation, and sculpture.

Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing.

In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre.

Blue Madonna

3 colour lithograph on Somerset Velvet Warm White 400gsm

This edition of Forever features bright, abstract details from Damien Hirst’s new series of paintings titled Cherry Blossoms. Here, Hirst reinterprets the traditional subject of landscape painting on a monumental scale, entirely covering the surface of the works with bright colours that stretch the boundaries between figuration and abstraction.

The vibrant works pay homage to the Pointillism and Impressionism art movements. With the Cherry Blossoms series Hirst bridges his explorations and examination of colour as well as its effect on the eye, where movement and dynamicity of colour have been composed freely and joyously by the British artist.

This limited fine art edition is technically created by a bright Laminated Giclée print on aluminium composite panel, comes in two sizes and was realized in collaboration with Fondazione Prada to support Save the Children Italia. Hirst has taken existing imagery from his Cherry Blossoms and transposed it into a print, depicting a close up of the densely layered impasto structure, as well as colourful dabs of paint from sections of the large-scale canvases, one can see Hirst's thick brushstrokes and trace the movement of his gestural action painting through the surface.

Forever (large)

Inspired by a twisted rubber balloon rabbit, Balloon Rabbit (Violet), is a highly reflective red porcelain limited edition. Incorporating the vocabulary of his iconic Celebration sculptures, Balloon Rabbit, along with two other animals, Balloon Monkey and Balloon Swan, marked a spectacular new chapter in Jeff Koons’s oeuvre.

The idea for a Balloon Rabbit sculpture came to Jeff Koons from his upbringing in south-central Pennsylvania. At special times of the year, people would decorate their front yard with reindeer at Christmas and inflatable rabbits at Easter. As his neighbors wished t give pleasure to other people with these decoration, the artist is proud to make art that is not intimidated for the viewers.

Balloon Rabbit (Violet)

Limoges porcelain with chromatic metalized coating

The duo’s projects, such as The Gates (1979–2005) in New York’s Central Park and Wrapped Reichstag (1972–95) in Berlin, made spectacular interventions in public spaces. After Jeanne-Claude’s passing in 2009, Christo worked to complete the couple’s unrealized projects such as The London Mastaba, a 600-ton sculpture made from 7,000 painted oil barrels that floated on the city’s Serpentine Lake in 2018. In gallery spaces—including at the Pérez Art Museum Miami, the Smithsonian American Art Museum, and the Metropolitan Museum of Art—Christo and Jeanne-Claude presented schematic drawings and models, which exhibited the imagination and technical mastery that undergirded their massive installations. At auction, these pieces have sold for six figures.

Christo

Christo became famous for his monumental collaborations with his wife and creative partner, Jeanne-Claude.

Among the various man-made and nature's creations, wrapping bridges has always been an important subject that Christo, but also together with wife and artist-collaborator Jeanne-Claude, marked the foundation of their most celebrated series (as Christo and Jeanne-Claude). Wrapping the Ponte Sant'Angelo has been a dream of the artist(s), as it is the oldest bridge in Rome and it also connects the Vatican with the city of Rome. Since their proposition submission to proceed with the installation in 1967, this project remains unrealized.

And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.

Exploring the opportunities of wrapping a built-environment, the artist(s) offers the possibility to review it by applying a new appreciation of its form and volumetric qualities. Creating a layer of abstraction to a figurative and real environment. By applying fantasy to a real occasion, at a gigantic scale, the artist(s) puts the viewer at once in a life-time experience to unravel the metamorphoses of an object.

Ponte Sant’Angelo, Wrapped

Collage on lithograph

The prolific artist is especially well known for his paintings of Ada, his wife and muse. Katz developed his signature style as a reaction against the Abstract Expressionism that dominated the mid–20th century, when he began painting. Instead, he embraced narrative, figurative clarity and the accessible pleasures of Pop art, though he remains untethered to any particular school or movement. Katz studied at Cooper Union in New York and spent a summer learning plein air painting at Skowhegan School of Painting and Sculpture before he began presenting regularly in New York and cities across the world. His work has been included in shows at institutions such as the Whitney Museum of American Art, the National Portrait Gallery in London, the Guggenheim Museum Bilbao, and the Fosun Foundation in Shanghai, among others. His work belongs to multiple public collections, including the Art Institute of Chicago, the Brooklyn Museum, the National Gallery of Art, the Smithsonian Institution, and the Tate, and has fetched million-dollar prices on the secondary market.

Alex Katz

With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evoke the smooth aesthetics of advertising billboards and film.

“Yellow Tulips” is part of the famous flower painting series by Alex Katz. The aesthetics of flowers such as flags, tulips, and roses has been continuously explored by the artist throughout his career.

Katz has been painting flowers since the 1960s, often during his summer residencies in Maine. The cropped, flattened composition displays a debt to Japanese woodblock art printing. The American artist is well-known for his large paintings, whose bold simplicity and unmodulated colours are now seen as precursors of Pop Art.

"Yellow Tulips" is another of Katz's wonderfully bright exploration of the nature and the landscape. He represents the volumes and colors created by the natural light, this artwork breathes nature, the radiant yellow delights the vision against the limitless black background.

The painting “Tulips 4” which this edition is based on belongs to the Collection of Museum of Modern Art (MoMA) in New York.

Yellow tulips

Silkscreen

Bertlmann worked closely with the women’s liberation movement and collectives of female artists, co-founded Marebagroup in 1974, and exhibited her work in “MAGNA. Feminismus: Kunst und Kreativität (MAGNA: Feminism-Art and Creativity),” a landmark 1975 exhibition curated by Valie Export. Bertlmann represented Austria at the 2019 Venice Biennale with her installation as part of “Discordo ergo sum” (2019), which included a courtyard of neatly ordered red roses speared by swords and a series of black-and-white posters of her works from the 1970s and 80s. Bertlmann often transforms found objects into gendered artworks, morphing Styrofoam eggs into testicles in her series “Exhibitionism” (1973). Her works challenge gender roles, sometimes using objects to invert the associations between men and women—such as filling condoms with air to resemble breasts, thereby turning a phallic object into female anatomy.

Renate Bertlmann

Renate Bertlmann has been challenging social constructs surrounding gender and sexuality in her photographs, collages, performances, and sculptures since the 1970s.

A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack.

Knife-Rose

Murano glass and metal, protected by acrylic case

Doig frequently draws inspiration from his own memories of childhood in Canada; the blurred, ethereal quality of his canvases reflects the vagaries of time and recollection. His settings have ranged from calm oceans to deep forests, and canoes have served as a frequent motif. Doig has been the subject of solo shows at institutions including Tate Britain, the Musée d’Art Moderne de Paris, and the Dallas Museum of Art. His work has sold for more than $10 million on the secondary market and belongs in the collections of the British Museum, the Art Institute of Chicago, the Museum of Modern Art, and the Metropolitan Museum of Art.

Peter Doig

Peter Doig’s serene, fantastical paintings feature kaleidoscope landscapes punctuated by enigmatic, partially obscured figures.

Peter Doig’s painterly “Magic Realism” is inspired by everyday sceneries from artist's surroundings, by art and movies like the horror film Friday the 13th. Doig’s works evoke a mysterious world of its own, which the viewer can access only to a certain point. The interaction with Doig’s works brings the feeling of timelessness, which at any time could be interrupted by unexpected events.

In a semi-abstract scenery of black-brown darkness painted with expressive and visible brushstrokes in front of sketchy palm trees there is a shining figure of a walking fisherman. The composition presents yet another eerie example of Doig’s work. It evokes a certain loneliness, paired with despair. Doig's fisherman is a wanderer between the worlds, transcending mysterious existence in a magical-realist world.

Fisherman

Pigment Print

Sultan received his MFA from the School of the Art Institute of Chicago, where he began to experiment with non-traditional painting methods. He has exhibited in New York, London, Paris, Chicago, Tokyo, and Berlin, among other cities. Sultan’s work belongs in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Tate, the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Contemporary Art, Tokyo, among others. Sultan is also well known for his prints and sculptures, which embrace the same motifs as his paintings.

Donald Sultan

Donald Sultan’s large-scale still-life paintings feature semi-abstract compositions and unique materials: The artist has used tar, spackle, enamel, Masonite, and vinyl floor tiles to create his minimalist renderings of flowers, fruits, and other natural forms.

Yellow Lantern Flowers, Sept.18, 2013 belongs to Sultan’s famous sculptural Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, and thus Sultan’s work remain both abstract and representational.

Just like in his paintings, Sultan masterfully applies industrial materials to his sculptures. Yellow Lantern Flowers, Sept.18, 2013 are made from painted aluminum on polished aluminum base. The ephemeral shape of the flower is gracefully combined with the weighty aluminum manifesting the synthesis of the natural and the industrial typical to Sultan´s work. The sculpture is incised with title, date, and artist initials, it is as well stamped with edition number, publisher and artist copyright stamp on the base verso.

Yellow Lantern Flowers, Sept.18, 2013

Aluminum Sculpture

Christo's 2019 edition “Wrapped Globe (Eurasian Hemisphere)” carries the essence of our current political and climate discussions. The artist revisits his idea of a wrapped earth as initially created and published on TIME magazine´s cover (2 January 1988). A then wrapped Earth, depicting North and South America, with a transparent plastic wrap hugging its entire scope in front of a baking- hot sunset. The title on the magazine was "Endangered Earth". The image cover brought awareness to nations on the subject of climate pollution and signs of global warming.

Thirty-one years later and in the same manner, he has now covered the globe with a thicker, semi-transparent plastic foil and tied it with a light string. The sun has already set but the darkness has not yet fallen and a mere milky background neutralizes the composition. For the first time a nude faceless and unidentified figure emerges to be holding the Earth's weight on his or her back as well as facing with the consequences along from the first warning in 1988.

At 85 x 75 cm, "Wrapped Earth" is unusually large for Christo´s work. The usage of the different mixed media (pencil, charcoal, pastel, wax crayon, plastic sheeting, twine, enamel paint and masking tape on brown board) gives the collage a very special feel, in the same manner as with an unique work. This intimate work allows the viewer to trace Christo´s movements on the silkscreen and expose every move on how this edition was created.

Wrapped Globe (Eurasian Hemisphere)

Collage, silkscreen and mixed media

Höfer meticulously composes her shots, positioning herself symmetrically either in the center of rooms or along a diagonal that best reveals the space’s internal architecture. She prefers places that contain an institutional history, embodied either in texts or in structures, such as libraries, museums, and zoos. A member of the Dusseldorf School and former student of Bernd and Hilla Becher, Höfer is influenced by the legacy of conceptual and typological photography.

Candida Höfer

In majestic large-format color photography, Candida Höfer captures the psychological residue left behind in empty public and institutional spaces.

Deutsch Oper am Rhein Düsseldorf is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consist of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on the cultural spaces free from human presence.

The self-imposed subject restrictions evident in her project are both cultural and formal in nature. The Baroque, modern and contemporary interiors Höfer captures through her lens provide “formal portrait of the social itself,” as it has been defined in Europe since the Enlightenment.

Deutsche Oper am Rhein Düsseldorf 2012/2015

C-print

Both works are part of the American artist's "Celebration" series, which Koons started in 1994.

We are delighted to offer you a unique set of only 99 conceived matching edition numbers from Jeff Koons's limited art editions of the "Balloon Dog (Blue)" created in 2021 from the edition of 799 pieces and the festive "Diamond (Red)", created in 2020 from an edition number of 599. Both works are part of the American artist's "Celebration" series, which Koons started in 1994. The series evolved from Koons's desire to recreate the ecstatic experiences in one's life such as birthday parties and festive events, hence the "Balloon Dog (Blue)" that a clown would create at a memorable child's party and the "Diamond (Red)" symbolising an engagement ring.

These two limited art editions are labouriously created out of Limoges porcelain with chromatic coating, which gives them chameleon-like qualities; their reflective surfaces are capable of physically changing with its surroundings and its many-layered meanings make these works conceptually change in the mind of each viewer.

Each edition is signed and numbered and the works from this set share the same edition numbers, which makes them a rare and desirable collectible.

Set: Balloon Dog (Blue), 2021 and Diamond (Red)

The American female artist works with the intention of removing feminine shame from the nude figure.

After receiving her MFA in painting from Hunter College in 2016, she exhibited in solo and group exhibitions in New York City and Europe and garnered significant media coverage. Often emphasizing the expressivity of hands, Slappey’s paintings explore themes around sexuality, vulnerability, and female subjectivity through depictions of mutated bodies that are seemingly engaged in ambiguous acts of pleasure or pain. Her work also displays a sensitive attunement to light, with body parts rendered so they seductively glisten or glow.

Sarah Slappey

Sarah Slappey paints grotesque surrealistic compositions populated by contorted hands, limbs, and breasts that have earned her attention and acclaim.

At a first glance, one views Slappey’s surreal works, almost like a dark adult cartoon, kinky, sensual, and sexually charged. However, the fleshy tones depicting female body parts and phallic-shaped props suggest an alternate world where a sexualized male gaze has been overcome.

In Slappey’s artworks, the female form is only portrayed by those who possess it. The American female artist works with the intention of removing feminine shame from the nude figure.

In Tied Up II the scenario thickens as additional elements add to a bondage-suggestive “Tied-Up” with elements like marble, pearls, chain link, and clouds. Slappey has said she imagines “bodies as so overtly female/gendered that they become aggressive and threatening”.

This edition is based on Slappey’s painting “Tied Up II”, which she presented during her first international debut, the solo exhibition “Tenderizer” at Galerie Maria Bernheim in Zurich, Switzerland in 2020.

The composition of the piece is overwhelmed with dynamic imagery that shows female hands grasping plump buttocks and tampon strings embellished with luminous pearls that were developed using a palette of elegant pink tones.

Tied Up II

12-colour lithograph with Marinoni lithographic press on BFK Rivers 300 g paper, hand cut

Set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory.

Damien Hirst

The Virtues (set of 8)

2021

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Ai Weiwei

Study of Perspective in Glass (Opaline White)

2018-2019

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JR

JR Au Palais De Tokyo, 28 Aout 2020, 16h12, Paris, France

2020

David Shrigley

I'm Sorry For Being Awful

2018

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Specialized in 20 & 21 century art

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Jeff Koons

Balloon Dog (Magenta)

2015

Jeff Koons

Balloon Rabbit (Violet)

2019

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Christo

Ponte Sant’Angelo, Wrapped

2011

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The world's most mysterious and elusive artist: Banksy

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Alex Katz

Yellow tulips

2014

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Renate Bertlmann

Knife-Rose

2019

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Peter Doig

Fisherman

2013

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Donald Sultan

Yellow Lantern Flowers, Sept.18, 2013

2013

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Christo

Wrapped Globe (Eurasian Hemisphere)

2019

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Candida Höfer

Deutsche Oper am Rhein Düsseldorf 2012/2015

2015

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Specialized in
20 & 21 century art