After winning the prestigious Turner Prize in 1996, Gordon represented Great Britain at the 1997 Venice Biennale. One year later, in 1998, he won the Hugo Boss Prize, awarded annually by the Guggenheim Museum to an exceptional emerging or mid-career artist.
“There is something quite beautiful with the art thing, that you can only hold it back for so long and then you have to do it.”
Whether in the form of film, performance, video installation, sculpture, photography or conceptual text, his production explores such themes as time, identity, self-image and mortality, as well as darkness, power, collective memory or morality.
Using literature, folklore, and iconic Hollywood films in addition to his own footage, drawings, and writings, he distorts time and language in order to disorient and challenge.