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They deserve our gratitude and full respect. This Mother's Day offer a gift that will stay with her forever - an artwork to celebrate all that she has done for you. Explore a selection of prime fine art editions at exciting price points.

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We are here to offer you with a high-end art collecting experience.

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DAVID SHRIGLEY
I'm Sorry For Being Awful, 2018
Screenprint
Edition of 125
76 x 56 cm (29.9 x 22 in.)
In mint condition

Link to the art edition here
We encourage you to have a look at the Content-Sheet here

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DONALD BAECHLER
Orange Rose, 2015
Silkscreen
Edition of 35
101,6 x 78,1 cm (40 x 30.7 in.)
Signed and numbered
In mint condition

Link to the art edition here

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DAMIEN HIRST
Butterfly Heart (large), 2020
Laminated Giclée print on aluminum composite panel
Edition of 1,698
70 x 72,7cm (27.6 x 28.6 in)
Digitally signed and numbered on the back
In mint condition

Link to the art edition here

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DAMIEN HIRST
Psalm: Ad te, Domine, levavi (with Diamond Dust), 2010
Silkscreen with Diamond Dust
Edition of 50
74x 71.5 cm (29.1 x 28.1 in)
Signed and numbered
In excellent condition

Link to the art edition here

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DAMIEN HIRST
Providence, 2009
Etching
Edition of 45
47 x 39,2 cm (18.5 x 15.4 in.)
Signed, numbered, and stamped
In excellent condition

Link to the art edition here

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DAMIEN HIRST
Fruitful (small), 2020
Laminated Giclée print on aluminium composite panel
Edition of 2908
39 x 39 cm (15.4 x 15.4 in.)
Signed and numbered
In mint condition

Link to the art edition here

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DAMIEN HIRST
Spot Clock, 2009
Multiple
diameter: 26 cm (10.2 in)
In very good condition

Link to the art edition here

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DAVID HOCKNEY
No. 778, 17th April, 2011-2019
iPad drawing, 8-color inkjet print on cotton-fiber archival paper
Edition of 250
56 x 43,2 cm (22 x 17 in.)
Signed and numbered
In mint condition

Link to the art edition here
We encourage you to find out more via the Content-Sheet here

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ROBERT INDIANA
Classic Love, 1995
Hand-woven wool tapestry
Edition of 1501
79 x 182 cm (71.4 x 71.4 in.)
Signed and numbered
In excellent condition

Link to the art edition here

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ALEX KATZ
Harbor, 2006
Aquatint
Edition of 50
50 x 59 cm (19.6 x 23.5 in.)
Signed and numbered
In mint condition

Link to the art edition here

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ALEX KATZ
Purple Hat (Ada), 2017
Archival pigment
Edition of 125, plus 25 APs
116,8 x 53,3 cm (46 x 21 in.)
Signed and numbered in pencil
In mint condition

Link to the art edition here
We encourage you to find out more on the Content-Sheet, here

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JEFF KOONS
Split-Rocker (Vase), 2012
French Limoges porcelain
Edition of 3500
36 x 40 x 33 cm (14.1 x 15.7 x 12.9 in.)
Signed and numbered
In mint condition

Link to the art edition here
We encourage you to watch the video, here

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DONALD SULTAN
Yellow Mimosa, July 23, 2015
Silkscreen
Edition of 50
81,3 x 114,3 cm (32.2 x 45.5 in.)
Signed, dated, numbered
In mint condition

Link to the art edition here

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DONALD SULTAN
White Tulips and Vase, April 4, 2014
Painted aluminum on polished aluminum base
Edition of 25
61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.)
Incised with the artists initials, titled, and dated
In mint condition

Link to the art edition here

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JOANA VASCONCELOS
Filament II, 2014
Pigment print
Edition of 25
111,8 x 85,3 cm (44 x 33.5 in.)
Signed and numbered
In excellent condition

Link to the art edition here

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On the other hand, Gold tears, which is part of the Utopia series, depicts rows of shiny diamonds on shelves covered with golden foil in front of a golden-beige background. The image is an intense vision of a golden cabinet filled with diamonds, a vision often associated with glorious eternity. But as always in Hirst’s art, the ambiguity is obvious – this cabinet points to the fact that behind all the shiny glittery surfaces there might be nothing, no meaning, and no soul. And hence the desire for eternity is less a promise than a condemnation.

"I can’t understand why most people believe in medicine and don’t believe in art, without questioning either."—Damien Hirst

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