Say it with a Flower
Marrying representation with a formalist approach, Katz's flat, yet referential style is unique. The artist is known for lifting subjects from the everyday world and transcribing them in minimal gestures. White Roses presents a naturalistic arrangement in elementary forms and is one of his most iconic and elegant prints one could acquire.

ALEX KATZ
White Roses, 2014
Silkscreen
Edition of 50
108 x 217 cm (42.4 x 85.4 in.)
Signed and numbered
In mint condition
Link to the edition here

You give me butterflies.
That tickling, bubbly feeling inside you get when you have feelings for someone. A poetic image of a moving metaphor, a belly full of glittering monarchs that alight when your beloved walks into the room. Butterflies have spiritual symbolism and references, dating from the Greeks to depict the Psyche, the soul. They signify sunshine, beauty and freedom. In China, this winged creature represents immortality, joy and summer, similar to feeling in love. Damien Hirst's installation of the butterfly room In and Out of Love 1991 explored the medium of butterflies and gave us hope as they look alive when they are dead.

DAMIEN HIRST
Confitebor Tibi, 2010
Silkscreen with Diamond Dust
Edition of 50
74 x 71.5 cm (29.13 x 28.15 in.)

You are my angel.
For centuries, angels have graced works of art with their ethereal presence. Appearing as ancient statues and adorning modern murals, these winged figures have become a fixture in art history spanning medium, culture, and time. While our contemporary idea of what an angel looks like emerged in the 4th century, the existence of angel-like figures in art can be traced back thousands of years.

ROBERT LONGO
Angel's Wing (Small Version), 2013
Pigment Print
Edition of 30
55.3 x 75.5 cm (21.7 x 29.7 in.)
Signed
In mint condition
Link to the edition here

L is for the way you look at me
O is for the only one I see
V is very, very extraordinary
E is even more than anyone that you adore

This hand-knotted virgin wool tapestry shows a kiss that unites a couple so dearly that their faces blend into one. The colouring of this typical composition by Pablo Picasso is reduced to the black of the drawing and accents in tones of blue, yellow and a dash of dark red. As one of the most experimental artists of the 20th Century, Picasso created a body of work of about 50,000 paintings, drawings, prints, sculptures, ceramics, pottery and printmaking.

PABLO PICASSO
Le Baiser, 1979/80
Wool Tapestry
Edition of 20
190 x 140 cm (74.8 x 55.1 in.)

To explore each Balloon Animal, please click on this link here

DAMIEN HIRST
Spot Clock, 2009
Multiple
diameter: 26 cm (10.2 in)
In very good condition

Link to the art edition here

DAVID HOCKNEY
No. 778, 17th April, 2011-2019
iPad drawing, 8-color inkjet print on cotton-fiber archival paper
Edition of 250
56 x 43,2 cm (22 x 17 in.)
Signed and numbered
In mint condition

Link to the art edition here
We encourage you to find out more via the Content-Sheet here

ROBERT INDIANA
Classic Love, 1995
Hand-woven wool tapestry
Edition of 1501
79 x 182 cm (71.4 x 71.4 in.)
Signed and numbered
In excellent condition

Link to the art edition here

ALEX KATZ
Harbor, 2006
Aquatint
Edition of 50
50 x 59 cm (19.6 x 23.5 in.)
Signed and numbered
In mint condition

Link to the art edition here

ALEX KATZ
Purple Hat (Ada), 2017
Archival pigment
Edition of 125, plus 25 APs
116,8 x 53,3 cm (46 x 21 in.)
Signed and numbered in pencil
In mint condition

Link to the art edition here
We encourage you to find out more on the Content-Sheet, here

JEFF KOONS
Split-Rocker (Vase), 2012
French Limoges porcelain
Edition of 3500
36 x 40 x 33 cm (14.1 x 15.7 x 12.9 in.)
Signed and numbered
In mint condition

Link to the art edition here
We encourage you to watch the video, here

DONALD SULTAN
Yellow Mimosa, July 23, 2015
Silkscreen
Edition of 50
81,3 x 114,3 cm (32.2 x 45.5 in.)
Signed, dated, numbered
In mint condition

Link to the art edition here

DONALD SULTAN
White Tulips and Vase, April 4, 2014
Painted aluminum on polished aluminum base
Edition of 25
61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.)
Incised with the artists initials, titled, and dated
In mint condition

Link to the art edition here

JOANA VASCONCELOS
Filament II, 2014
Pigment print
Edition of 25
111,8 x 85,3 cm (44 x 33.5 in.)
Signed and numbered
In excellent condition

Link to the art edition here

On the other hand, Gold tears, which is part of the Utopia series, depicts rows of shiny diamonds on shelves covered with golden foil in front of a golden-beige background. The image is an intense vision of a golden cabinet filled with diamonds, a vision often associated with glorious eternity. But as always in Hirst’s art, the ambiguity is obvious – this cabinet points to the fact that behind all the shiny glittery surfaces there might be nothing, no meaning, and no soul. And hence the desire for eternity is less a promise than a condemnation.

"I can’t understand why most people believe in medicine and don’t believe in art, without questioning either."—Damien Hirst