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Marilyn Monroe (Portfolio of 10)-Andy Warhol-1

Of all Andy Warhol's celebrity subjects, none seem more perfectly emblematic of how the artist perceived and synthesized America than Marilyn Monroe. Warhol saw in Monroe all the promise, beauty, sex symbol, a Hollywood product, the fame and tragedy that 1960s America was capable of realizing. In his Marilyn portraits – which he began shortly after Monroe's death, in August 1962 and taking on the suggestion of Henry Geldzahler - it's impossible to locate what one might call the truth of the subject. Warhol liked watching Hollywood films, saying that the only real reason we watch movies is to see the stars and to see them as often as possible. The first portfolio of Marilyn’s silkscreens was published in 1967 and later became one of the most iconic and memorable representations of the actress, and consequently one of the most sought after printed editions of Warhol’s work. He created a series of 10 variations in what is now referred to as the Marilyn Series, each with virtually the same composition, but different color variations. These prints are made from reproductions of Warhol’s original silkscreens from 1967.

“ I just see Monroe as just another person. As for whether it's symbolical to paint Monroe in such violent colors: it's beauty, and she's beautiful and if something's beautiful it's pretty colors, that's all. „

Andy Warhol