Conceptual artist Adel Abdessemed, like William Lamson and Cai Guo-Qiang, creates situations based on deliberate actions—or “acts” as he calls them—carried out on everyday materials, which he documents with videos, photographs, and later juxtaposes with a sculptural remainder from the action itself.
Marina Abramović is perhaps the most famous performance artist working today. Employing duration, pain, danger, exhaustion, and viewer participation, she works at extremes as she complicates the relationship between art and audience.
The award-winning New Media artist Refik Anadol explores the potential of artificial intelligence, using machine-learning algorithms to transform vast datasets into highly sensory aesthetic experiences.
Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings, or purposely cliché motifs such as a skull, a rose, a globe, and a soccer ball.
Elger Esser’s pale, luminous landscape photographs, which are almost entirely unpeopled and frequently feature a straight, low horizon line, have been compared to both early-19th-century photography and Dutch landscape paintings of the 17th century.
Throughout his diverse practice—spanning photography, video, performance, sound, and text-based work—Douglas Gordon recontextualizes familiar images and artworks, distorting time, language, and other aesthetic aspects to challenge viewers’ perception, expectation, and memory.
Robert Indiana is most famous for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice.
Yves Klein is famous for his explorations into pure color—blue in particular. Employing only his signature, patented pigment, International Klein Blue, the artist made iconic monochromes that aimed to bring art into the realm of pure, atmospheric feeling.
Nate Lowman appropriates, paints, and photographs existing imagery, mining the detritus of pop culture in mixed-media works that critique celebrity culture, consumerism, and the saturation of sex and violence in mass media.
Walid Raad works across installation, performance, video, and photography in order to grapple with the legacy of the Lebanese Civil War; memory, loss, carnage, and dizzying acts of reconstruction are all major motifs.
Ranging from installations and sculptures to psychedelic paintings and large-scale drawings, Ugo Rondinone’s eclectic practice explores the relationships between opposing forces—day and night, real and artificial, euphoria and depression.
Ugandan-Rwandan Collin Sekajugo’s artistic practice examines and questions the notion of personal identity in a self-absorbed contemporaneity by re-imagining subjects from visual, oral and digital culture.
Andres Serrano is perhaps best known for his unflinching color photographs of controversial subjects including dead bodies, feces, handguns, Ku Klux Klansmen, and Catholic figurines submerged in bodily fluids.
Best known for her delicate, mixed-media web-like composition combined with everyday items, Japanese artist Chiharu Shiota’s oeuvre, explores fundamental human concerns such as life, death and relationships.
Donald Sultan’s large-scale still-life paintings feature semi-abstract compositions and unique materials: The artist has used tar, spackle, enamel, Masonite, and vinyl floor tiles to create his minimalist renderings of flowers, fruits, and other natural forms.
Evoking the 1960s Nouveau Réalisme movement, Marcel Duchamp’s readymades, and the symbolic, tactile constructions of Louise Bourgeois and Eva Hesse, Joana Vasconcelos threads everyday objects and materials together in her assemblages, which comment on womanhood, nationality, and consumerism.
Painter, sculptor, designer, and architect Not Vital lives as though his life is a work of art, embodying the kind of eccentric and extravagant lifestyle made famous by artists before him like Salvador Dalí.
With industrial materials such as plaster, resin, rubber, and concrete, Rachel Whiteread makes ghostly casts of the spaces surrounding common objects and architecture as she meditates on memory and permanence.